All Art is Ecological (Green Ideas)

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Naidus, Beverly (2009). Arts for Change: Teaching Outside the Frame. New Village Press. ISBN 978-0981559308. Garber, Elizabeth. "Social Restoration". Art & Ecology: Perspectives and Issues. Greenmuseum.org. Archived from the original on 16 December 2010 . Retrieved 4 September 2015. Alfrey, Nicholas, Stephen Daniels, and Joy Sleeman, eds. 2012. To the Ends of the Earth: Art and Environment. Tate Papers, No. 17. Available online: https://www.tate.org.uk/research/tate-papers/17/to-the-ends-of-the-earth-art-and-environment (accessed on 12 August 2022). Nieslony, Magdalena. 2022. Moralische oder ethische Wende des gegenwärtigen Kunstdiskurses? Bemerkungen zur Geschichte und Gegenwart moralischen Urteilens über zeitgenössische Kunst. 21: Inquiries into Art, History, and the Visual 3: 343–81. [ Google Scholar] [ CrossRef] Ball, Lillian, Tim Collins, Reiko Goto, and Betsy Damon. 2011. Environmental Art as Eco-cultural Restoration. In Human Dimensions of Ecological Restoration. Society for Ecological Restoration. Edited by Dave Egan, Evan E. Hjerpe and Jesse Abrams. Washington, DC: Island Press, pp. 299–312. [ Google Scholar]

And what do you think about his choice of “age of mass extinction” over climate change and global warming? Saraceno, Tomás. 2022a. Available online: https://studiotomassaraceno.org (accessed on 12 August 2022). Although most of their friends, family, and students were supportive when Morton came out, strangers were not always so kind. After wearing sparkly silver nail polish to the supermarket one day, Morton acquired a stalker. They woke the next morning to find a newspaper on their porch, open to a story about a 19th-century woman who dressed as a man. Someone had also crept inside Morton’s carport and left a bag of feces for them to find. It happened several more times. Doan, Abigail. "HighWaterLine: Visualizing Climate Change with Artist Eve Moser". The Wild Magazine. {{ cite web}}: Missing or empty |url= ( help) Ilschner, Frank. 2004. Verkörperte Zeiträume: Eine Auseinandersetzung mit der Land-Art in den Werken von Andy Goldsworthy, Richard Long und Walter De Maria. Duisburg, Essen University. Online-Ressource. Available online: http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-09152004-222429/unrestricted/ilschnerdiss.pdf (accessed on 20 August 2022).Weintraub, Linda (2012). To Life! Eco Art in Pursuit of a Sustainable Planet. Berkeley, California: University of California Press. ISBN 9780520273627. That a massive animal and plant extinction is now unfolding is irrefutable, but what is so crucial about this sixth such event is that the asteroid causing the die-off is us. Gevers, Ine (2013). Yes Naturally: How Art Saves the World. The Hague, Amsterdam, Rotterdam: Niet Normaal Foundation in collaboration with the Gerneentemusuem Den Haag.

Moon, Kavior (October 2019). "The Harrisons: Various Small Fires". Artforum. 58 (2) . Retrieved 23 December 2022. Capra, Fritjof (1996). The Web of Life: A New Scientific Understanding of Living Systems. New York: Doubleday. In Morton’s terms that means thinking along the lines of agricultural religion—Judaism, Christianity, Hinduism, and so on, thinking characterized by hierarchal views, utilizing the unambiguous language of good and bad, us and them. But then, why the subjunctive? Shouldn’t the opening sentence of his book be something more like, “You ARE living through an age of mass extinction?”Green Arts Web. "Green Arts Web: Reference (Multidisciplinary)". greenarts.org . Retrieved 6 September 2015. Mostly though, I had the impression that Morton is an edgelord. And that he fancies himself a bit too much.(And of course he has to drop that he knows Björk, personally.) Morton describes the origin of Hyper­objects as oracular—like a radio transmission sent from the future. Art by Frank Nitty 3000

Didactic or pedagogical works: share information about environmental injustice and ecological problems such as water and soil pollution and health hazards through education. [60] Semper, Gottfried. 1860. Der Stil in den technischen und tektonischen Künsten oder Praktische Ästhetik. Ein Handbuch für Techniker, Künstler und Kunstfreunde. Frankfurt a. M.: Verl. für Kunst und Wissenschaft, vol. 1. [ Google Scholar] Moyer, Twylene; Harper, Glenn, eds. (2011). The New Earthwork: Art Action Agency. Seattle, WA: ISC Press. ISBN 9780295991641.Nemitz, Barbara, ed. (2000). trans/plant: Living vegetation in contemporary art. Hatje Cantz Publishers. p.63. ISBN 9783893229710. STUDIOKCA. 2022. Architect and Art Studio. Available online: http://www.studiokca.com (accessed on 12 August 2022). Lippard, Lucy (2007). Weather Report: Art and Climate Change. Boulder, Colorado: Boulder Museum of Contemporary Arts in collaboration with EcoArts.